CANNES, FRANCE -- It's the summer's most anticipated film, the latest in a beloved series that's earned $1.2 billion in worldwide ticket sales. Add in a premiere at the most prestigious of international film festivals, and the wonder of "Indiana Jones and the Kingdom of the Crystal Skull" is that it avoids being an anticlimax and is entertaining in its own right.
Though the film stars a relaxed and capable Harrison Ford as everyone's favorite intrepid archaeologist and boasts supporting players ranging from Cate Blanchett as a superb villainess to Shia LaBeouf as the inevitable youngster, the real heroes of this film are director Steven Spielberg and the veritable army of superb technicians who turn the film's numerous stunts and special effects into trains that insist on running on time.
Trains are in fact not a bad metaphor for the director's motivations for this fourth Indy effort, the first in 19 years. Just like a model-train hobbyist who enjoys getting more and more expensive equipment as his income level rises, Spielberg clearly got enormous pleasure employing a lifetime's worth of skill and turning out wave after wave of smartly done stunts and effects set pieces.
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"Yup, looking forward to this one!"
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